Ubisoft's Uplay+ subscription library launches this fall with 100+ games

Social/Online Games - Gamasutra - 16 July 2019 - 10:00am

Ubisoft has offered more details on the games that will be available under its Uplay+ subscription service when the service launches this fall. ...

Categories: Game Theory & Design


New Drupal Modules - 16 July 2019 - 9:37am

Allows you to add specific CSS styles for an URL

Categories: Drupal

GDC 2020 opens call for 'Core Concepts' submissions!

Social/Online Games - Gamasutra - 16 July 2019 - 8:58am

Are you doing great work in game dev? Answer the GDC 2020 call for submissions to present lectures, panels & roundtables in the rebranded 'Core' line of talks, now open through Thursday, August 15th! ...

Categories: Game Theory & Design

Game Design in the Age of Climate Change - by Justin Reeve Blogs - 16 July 2019 - 7:49am
The landscapes in Metro Exodus are all in a certain sense broken. Why are they depicted in this way? This article takes a look at how game design can be used to make a statement about climate change.
Categories: Game Theory & Design

Video Game Composers: How Music Enhances Virtual Presence (The Theory of Flow) - by Winifred Phillips Blogs - 16 July 2019 - 7:47am
The 1st of a 4-part series. Video game composer Winifred Phillips shares ideas from her GDC 2019 talk, How Music Enhances Virtual Presence. Part 1: Virtual Presence & Flow Theory. Music composition strategies and practical examples are included.
Categories: Game Theory & Design

Crowdfunding and Tabletop Games: 2019 Mid-Year Update - by Thomas Bidaux Blogs - 16 July 2019 - 7:43am
State of board games on Kickstarter in the first half of 2019
Categories: Game Theory & Design

Show, Don’t Tell: How a Few Tools Can Give Your Store UX a Big Boost - by Henry Fong Blogs - 16 July 2019 - 7:41am
With an understanding of what makes players want to buy, you can enhance the experience and increase your IAP. But how do you find out what works? We used our in-game platform to test the impact of in-game product videos—and the results surprised us.
Categories: Game Theory & Design

Finding The Fun: Archero Part 3 - Monetization - by Scott Fine Blogs - 16 July 2019 - 7:38am
Welcome to part three of my look into Archero! This time we’ll focus on the monetization aspect of the game and how it doesn’t intrude on the fun.
Categories: Game Theory & Design

Field Widget Settings

New Drupal Modules - 16 July 2019 - 6:50am

A module allow to add prefix, suffix and hide the field title of any type of field while creating & config the field widget of content type.

Replace long text title with prefix content. It will reduce the time of doing form alter.

Categories: Drupal

Vardot: 3 Reasons Why You Shouldn’t Wait for Drupal 9

Planet Drupal - 16 July 2019 - 4:22am
Firas Ghunaim July 16, 2019


Despite Drupal 8 (D8) being launched back in 2015 and Drupal 9’s release date looming; there are almost a million websites on the internet still running on Drupal 7 (D7). However; many of the website owners justify their reasoning for sticking with Drupal 7 until now to the long update to Drupal 8 process and the budget required.

So... should you upgrade your website to Drupal 8 now? That really depends on your business needs… however; since you decided to build your website using Drupal, I assume you already know the unique advantages that Drupal brings to your brand’s digital experience. 

We take a look at a few logical reasons to upgrade your website to Drupal 8 sooner rather than later:



1. D7 End-Of-Life (EOL) Is Around the Corner

Both Drupal 7 and Drupal 8 versions will continue to receive support and fixes from the community until November 2021, a whole year after the release of Drupal 9 in 2020. Beyond that EOL date; D7 and D8 will no longer receive any support. What does that mean?

The community at large will no longer create new projects, fix bugs in existing projects, write documentation, etc. around Drupal 7. There will be no more core commits to Drupal 7. The Drupal Security Team will no longer provide support or Security Advisories for Drupal 7 core or contributed modules, themes, or other projects. Reports about Drupal 7 vulnerabilities might become public creating 0 day exploits. All Drupal 7 releases on all project pages will be flagged as not supported. Maintainers can change that flag if they desire to. On Drupal 7 sites with the update status module, Drupal Core will show up as unsupported. 

After November 2021, using Drupal 7 may be flagged as insecure in 3rd party scans as it no longer gets support. If you have a site that is running on Drupal 7, now is the time to start planning the upgrade. You don’t want to be making that decision with only a couple of months to the EOL date remaining.

If you still plan to stick to Drupal 7; you can engage the services of specific vendors who will be announced at a later date as officially recognized members of the Drupal 7 Vendor Extended Support program (D7ES).

Or, you could save money and time by upgrading now and gain the significantly richer benefits of Drupal 8. I strongly recommend this approach. Win-Win.



2. Power Your Digital Business

This one is logical. If you think you’d be saving money and time by jumping directly to Drupal 9 from Drupal 7, think again.

You are already missing out on Drupal 8’s awesome features. Drupal 8 was built with a focus on creating engaging user experiences. Website performance is at the core of all improvements, updates, and modules being created for Drupal 8. One of the first significant improvements introduced was Facebook’s BigPipe, which is now a built-in stable module in Drupal core.

Major brands that are running websites on Drupal 8 can give their site visitors the mobile-first, search engine optimized and secure user experience they crave. Businesses that cater to a global audience are reaping the benefits of the multilingual and translation tools built-in Drupal 8’s CMS.

From creating engaging dynamic webpages using the awesome Layout Builder module to a streamlined rich content publishing process. Drupal 8 boasts numerous modules that are a marketers dream



Additionally, Drupal 8 replaced PHPtemplate with a new, faster, simpler and much more secure theming engine, Twig. Though Twig is PHP-based, all that front end developers need to create beautiful websites is their skill in HTML/CSS. They don’t need to boast much PHP experience or expertise anymore.


The aforementioned are but a sample of highlighted features. Think of all the modules that have been improved and enhanced to build a digital experience that engages your base better than ever. Are you willing to be behind the pack until you decide I need to upgrade closer to the Drupal 7’s EOL date?



3. Smooth Migration to D9

Migrating your website from Drupal 6 to 7 demanded an entire rebuild. It’s true that migrating from Drupal 7 to 8 would be a major hassle as well, however, this would be the last major rebuild you will ever have to make again thanks to Semantic Versioning.

Drupal 9 is built on-top of Drupal 8. Hence, the transition when migrating from Drupal 8 to 9 will be seamless and effortless, especially when you compare the hassle of migrating between other major versions. 


“The first release of Drupal 9 will be very similar to the last minor release of Drupal 8, as the primary goal of the Drupal 9.0.0 release will be to remove deprecated code and update third-party dependencies. By keeping your Drupal 8 sites up to date, you should be well prepared for Drupal 9.” - Dries Buytaert, Drupal Project Lead


If you are still reluctant to rebuild your website in order to benefit from the sample of highlighted Drupal 8 features we mentioned earlier; consider Varbase.

Varbase is an enhanced Drupal distribution packed with adaptive functionalities and essential modules, that speed up your development, and provides you with standardized configurations, making your life easier. The essence of Varbase, lies within the basic concept that initiated it; DRY (Don’t Repeat Yourself). Varbase handles that for you, relieving you from repeating all the modules, features, configurations that are included in every Drupal project.

You can build a beast of a digital experience that caters for a global and diverse audience, search engine optimized and mobile-first; whilst saving over 200 development hours.


The time to prepare for your business’ digital future is now. Adopting a neutral stance is only going to be a waste of time, traction and money. Choosing to upgrade to Drupal 8 right now means that you have already upgraded to Drupal 9. 

Drupal’s focus on engaging digital experiences reflects the actual shift in user behavior in real life. That is the main reason why global brands and many industries such as the entertainment industry, higher education, healthcare, and even public sectors are adopting Drupal… and Drupal 8’s features offer your digital business more than you can begin to imagine. Our award-winning team can help you build a digitally thriving business in the future by guiding you through the upgrade process. 

Contact us now and get a thorough complimentary performance audit of your website!

Categories: Drupal

Scion: Origin Review

Gnome Stew - 16 July 2019 - 4:00am

I follow a predictable theme where I tend to be just a wee bit attracted to urban fantasy related games and media. When a friend of mine invited me to play in a game of Scion, it didn’t take too much for me to pick up the big bundle of PDFs and dive into the game. I made a character that was the scion of Hel, who I envisioned as a cross between House and Dexter. He was a forensic pathologist, with a magic scalpel and the ability to summon his dead father for advice.

As it turned out, making my character really good at his job and giving him a flavorful gift from his mother meant that he wasn’t particularly good at anything to do with combat, other than jabbing someone with the scalpel once in a while, and eventually, my poor character was eaten by one of Fenrir’s overgrown pups. I also found out that Vancouver, where I said my character was from (a joke based on where many television series are filmed) has very, very few actual murders, meaning my character was also probably very bored for most of his career.

Anyway, about the time my character was being digested, the Kickstarter for Scion 2nd Edition came along, and my curiosity got the best of me. I’ve been waiting to dig in for a while now. I have to admit, part of me is wondering if my character would have to make the same hard choices about skills versus combat ability in the new edition.

The Book of Origins

This review is based on both the physical and PDF version of Scion: Origins. The book is 180 pages long, with a one-page character sheet, no index, and a Table of Contents.

The book is very attractive. Some of the artwork has been reused from the previous edition, but what makes it a little harder to pinpoint is that many of the same iconic characters are depicted, with some of them appearing in new artwork.

If you have seen any other Onyx Path books, there is certainly a similar style to the formatting, with “typeset” style headers and double column layout.

Fiction, Introduction

The book opens, even before the Table of Contents, with a piece of fiction by Kieron Gillen, who may have written just a few pieces of fiction dealing with urban fantasy and modern gods in the past. To flash forward a bit, this piece of fiction is a stand-alone piece, but there is an ongoing narrative that appears between the chapters. This ongoing story follows a scion from their day to day life up to the moment of their visitation (meeting with their divine parent, after which the character would move up to the rules in the next volume, Scion Hero).

The introduction explains the concept behind Scion, that the player characters are mortal children of gods (or others touched by divine power), who eventually gain an increasing amount of supernatural power, and become embroiled in more and more supernatural conflicts as their powers grow. Origin, specifically, details characters that have learned they have supernatural powers, but haven’t yet been visited by their divine parent or an agent of the supernatural power that has touched them.

In addition to a primer on roleplaying games (or storytelling games), the introduction mentions the themes and moods that should be present in a game of Scion. The primary pantheons that will be detailed are summarized, and inspirational material, ranging from novels, comics, and television, are also cited. There are even a few recommendations for non-fiction books on mythology. The introduction ends with a lexicon defining various terms used later in the book.

I appreciate a game that lists the themes and moods that they hope to include in the game up front, as well as some example media that the game has drawn from, because this helps to set expectations. It gives you an idea of why something might have been added, as well as giving you a measure to use for comparing if the mechanics are doing what you want them to do, and what they are intended to do.

Chapter One: The World

Chapter One details the setting of the game, and it takes up the next 32 pages of the book, so it isn’t a light treatment. In broad strokes, the chapter covers a wide range of topics.

Primordials are beings that very much are the embodiment of a given primal force. They don’t have much of a personality. They just kind of exist. Titans are one step down from Primordials. They don’t have much of a personality either, but they are self-aware, and what personality traits they have are dictated by an obsessive devotion to their portfolio. Gods have broader portfolios than Titans, and are more fully realized personalities. Part of this is because they have interacted with mortal worshipers, and the more mortals interacted with them, the more the mortals believed that the gods had to have some similar traits to mortals. The downside to this is that, if the gods spend too much time with mortals, those mortals start to define other elements of the gods. So the gods need human belief just enough to keep them as more fully developed personalities, but not enough that mortals can radically redefine them with their faith.

The World looks much like our own, but the pantheons included in the book never stopped being worshipped, they just lost a little bit of ground as more modern religions came into being. The supernatural isn’t so much a hidden world, as an obscured one. Everyone might know one person who has genuinely seen the supernatural at play, and every once in a while, a rampaging monster from folklore may make the news, but the vast majority of people haven’t seen anything literally magical their whole lives. They make due with cars and computers and email just like we do now.

There are supernatural “otherworlds,” known as Terra Incognito, and there are various ways to access these places, including the Axis Mundi, transition points between worlds where one can travel between the two by performing a specific set of trials.

Several cities in The World are outlined, with sections detailing the Terra Incognito and Axis Mundi that exist near that city, as well as what pantheons are most influential there, and where they might be connected to other cities in the world.

While most of the details about gods deal with the pantheons mentioned in the introduction, there are a few references to “new” divinities that have arisen in the intervening years from antiquity to the present. Columbia, the goddess of America is an example, and she is mentioned as having multiple potentially conflicting manifestations, as she is still settling on a core identity because of the beliefs of mortals and their relationship to her and their culture.

This section gives a whole lot of flavor on what The World should feel like, but doesn’t nail down a lot of absolutes. It establishes a few different conflicts (pantheon versus pantheon, god versus god, new god versus young god, gods versus titans), but because of the time and effort put into it, the conflict with titans feels like the default narrative well to draw from. The references to Columbia are interesting, as I remember her mainly from a supplement to the original edition of Scion, along with various national pantheons that arose specifically around World War II, with these gods being an optional expansion in the original material. Neither Columbia nor any other “younger” deity appears in the summary of gods at the end of the book, so her only reference is in this section.

The Storypath System

On its surface, the resolution mechanic for Scion resembles other Onyx Path games, in that it uses d10 dice pools, counts numbers of successes, and derives the dice pool from adding the number of dots a character has in two different sections of the character sheet together.

The difference in this case is that successes are used to purchase effects. Simple success is one thing you can purchase, but there may be other elements present on a given test that are worth purchasing as well. For example, there might be complications that are present, so that if you simply succeed, you have to deal with the complications if you don’t spend successes to mitigate the complications. There may be benefits that you may be able to gain, in addition to a simple success. Any given test might have enough extra elements going on to make deciding on what complications you want to buy down or what additional benefits you want to purchase an important decision.

Additionally, scale might be at play. Scale adds an enhancement for each level difference between the parties involved in a test, and enhancements are successes that are only added to your total if the initial roll is already a success. So a giant may have a hard time striking your human scion, but if they connect, they will have an easier time applying extra damage.

Whenever a character fails, they may gain momentum, a group resource that can be spent to activate special abilities, add dice to a die pool, or to add an interval to the round. Failing on something where you have a specialty grants you extra momentum. Failing and botching a roll (rolling a 1 on one of the dice in addition to gaining no successes) grants an additional momentum, and allows the Storyguide to add a new complication to the scene.

All of this sounds very simple, but the explanations for this get a little convoluted, to the point that I felt like I was missing something. For example, when explaining a test, the Storyguide is instructed to choose an arena for the test, from Physical, Mental, or Social. Since a roll is based on Skill plus Attribute, my assumption is that stating the arena limits the attribute to those under the given header (for example, Intellect, Cunning, and Resolve are under Mental). But the way the actual section is written, it almost sounds like the arena itself has a number of dots, rather than the attributes under them. Further confusing this is that the player chooses an approach, from Force, Finesse, or Resilience, which corresponds to which row a given attribute appears on the character sheet.

All of the test examples cut straight to the chase–the test is X, the character is doing Y to resolve it, so they add this skill to this attribute to get their pool. I can understand stating the Arena to narrow attributes, but the approach seems to be something that only really comes in to play when picking a favored approach for the number of available dots in character creation. It’s a matter of a fairly simple resolution mechanic that feels a little over explained and gives the impression of more complexity that is actually in evidence. That said, there is the option of attempting to spend successes to achieve unrelated goals on the same action (like entering a code with one hand and firing a gun with another), which requires you to roll with the least advantageous pool, and approach may be a useful tool for adjudicating just what the difference between those approaches may be.

The book also details three modes of play, Action-Adventure, Procedural, and Intrigue. This is important for two reasons–not only does it establish the expected cycles of play, but with the addition of stunts and complications, these frameworks give examples of how to use those rules in the context of these narrative frameworks. One particular aspect of the Intrigue section that I liked involved Bonds. Characters can create bonds with characters when they spend a scene creating or reinforcing a bond, which allows them to roll a pool of dice that creates a reserve of successes that can be used whenever the character’s bond is relevant to what is going on.

Creating a pool of successes to spend helps to address situations where a player wants to know how much they can do on their turn, and adding complications and enhancements are nice, built in ways to make tests more interesting by reinforcing them with narrative weight. I really like the idea of awarding the players a resource that they can utilize that builds from failed rolls, because it gives them more of a choice to lean on that resource when the resolution of a test is particularly pivotal. I just feel like some of the more straightforward details got lost in the explanations.

Chapter Three: Character Creation

The character creation chapter starts with five example characters, from multiple pantheons, as well as multiple real-world backgrounds. There are three male characters, and two female characters, and with that number of characters, I wish we had maybe seen a non-binary character in the mix as well. The character sheets don’t include a section for gender or pronouns, so their genders are all expressed by reading their backstories and finding the pronouns used there.

Characters pick a concept, an origin, role, and pantheon path, a favored approach, and a calling. The process of making these choices gives the character the number of dots they have available in skills and attributes, and will also let them know where they can pick their Knacks from (special abilities that are often subtle or overt supernatural powers). There is also a derived pool from Defense, and the number of boxes a character can check at each level of harm is determined by attributes.

There isn’t a bullet-pointed summary of character creation in the chapter, and I would have really appreciated that. In order to make sure I understood the instructions, I defaulted to checking the sample characters. In addition to the lack of summary, the character sheets can be a little confusing.

Characters have three Storypaths, which influence their starting skills, and can also be invoked, not unlike aspects in Fate. A Storypath can be invoked once per session without much trouble, but invoking it more than that may cause the character to generate ill-will or be forced to complete a long-term goal dedicated to repairing the good will of their contacts.

An element of advancement that I like is that XP is earned by setting, then achieving, short- or long-term goals. In addition to short- or long-term goals, the group as a whole can also set up group goals for them to work towards. While the rules mention that you can have up to five goals active at any given time, the character sheets only show short, long, and group goals as options.

The advancement section mentions Birthrights and Legend, neither of which are available to Origin characters, since they have not yet been visited by their divine parent. While these rules are mentioned briefly (but not defined), it is clear that this is a section of the rules that will be addressed in supplements.

Going back to my introduction, the ability to assign dots to skills and attributes feels less fiddly than in the previous incarnation of Scion, and it feels easier to make someone competent in their “mortal pursuits” without shorting them too much in survivability, I just wish there had been a better summary of character creation and a little clearer organization of the character sheet. I am glad they provided the sample characters, but I’m not sure sample characters should be doing the heavy lifting for clarification.

Chapter Four: Combat

The previous edition of Scion had a “shot clock” style initiative, where the action you choose to take would add a number to your score, moving you up on the clock, and meaning that taking some actions meant that some opponents might act more than once before you, if you took a particularly time-intensive action, and they took relatively quick actions.

In second edition, characters roll initiative, and then create slots for themselves and their allies, that can be used by anyone they are allied with. This method is very similar to the initiative system used by Fantasy Flight’s Genesys games.

When making combat rolls, characters spend their successes to buy stunts in combat. The simplest stunt is the inflict damage stunt, which costs a number of successes equal to a character’s armor. Inflicting a second instance of damage costs more successes to inflict a critical. Characters can spend defensive successes to dive out of range or to make themselves harder to hit.

Weapons and armor have special tags to define them. Weapons don’t specifically have damage ratings, but they may have tags that give the weapon enhancements or allow them to ignore cover. Armor tags can make the armor soft or hard. Soft armor increases the number of successes needed to successfully attack an opponent, while hard armor gives them more injury boxes to check.

In a trend I’m starting to see in more games, characters have the option to concede a fight, getting taken out without taking all of the various steps of injury in between, and keeping the character from potentially getting killed. This will take the character out of the scene, and may leave them in a bad position at the end of the scene, but it also adds momentum to the pool.

There are also rules to handle recovering injuries, first aid, disease, and poison. There aren’t rules for starting gear, just a note that most mundane gear only has three points worth of tags. This isn’t a change from 1st edition Scion, where only supernatural gear required a character to spend character options.

Chapter Five: Storyguiding

There is a lot of material in this chapter on researching myths, following the hero’s journey, alternating between multiple heroes in the spotlight, and how to reinforce the tone specifically for an Origin level game, where gods don’t show up directly, and there are more omens and signs than overt communication and miracles.

This section also contains what the text refers to as the Plot Engine, a series of steps to work through to generate appropriately themed campaign ideas.

At the very beginning of the chapter there is what has become a standard in facilitator advice, the tacit permission to ignore or modify rules, and in this section, there is also the advice to make sure that everyone at the table is comfortable and happy with the content of the game. While I appreciate this inclusion, it is a pretty light treatment on the broader topic of safety.

In various other chapters, the text spells out that the old gods don’t want to change their ideas as they move into the modern era, so they often hold antiquated and problematic opinions about acceptable actions, forms of worship, and the worth of human life, and that this can serve as a point of conflict for scions. Given that this is spelled out as a potential theme of campaigns, I think a better discussion of how much of this content to include, and how to do so would have been a good idea. In addition to the light touch on general safety, there isn’t really any discussion of active ongoing table safety, such as using safety tools during play.

Chapter Six: Antagonists

Antagonists in the game are assembled by giving them ranks in a primary pool, a secondary pool, a desperation pool, a health, defense, and initiative rating, then adding in qualities (modifiers to the above ratings), and flairs (special abilities that activate under certain circumstances).

In addition to outlining how antagonists are built, this section also details Tension, the resource that the Storyguide has which is similar to Momentum for players. Tension can be used to boost defenses, have an opponent take an extra turn, or to trigger certain types of flairs.

While I don’t want to spend too much time on the various pre-built antagonists that are included in the chapter, for some reason, I really appreciate that in The World, Men in Black aren’t aliens or government agents–they work for the Titans, probing for information on the gods and how to weaken the prisons where various Titans are held.

I have definitely become a fan of opponents in games that don’t require the same amount of rigor to create as player characters, and I like the a + b and maybe c approach to this creation. I’m also a fan of facilitator resources that can be spent, so I appreciate the Tension mechanics as well.

Appendix I, II, and III

The three appendices to the book deal with Supernatural Paths, Pantheons, and changes to the game between 1st edition Scion to 2nd edition Scion.

The Supernatural Paths are beings that might eventually end up ascending in power, but aren’t the literal children of the gods. The examples given include:

  • Saints (strong believers in a given pantheon or religion)
  • Kitsune (long lived shape changing foxes)
  • Satyr (the exact mythological creature you would assume)
  • Therianthrope (were creatures)
  • Wolf-Warrior (berserkers)
  • Cu Sith (self-aware fey canines)

There are also rules for modifying these paths to make them fit a variety of supernatural archetypes, such as using Wolf-Warriors to model Amazons.

The pantheons summarized in the book include the following:

  • Aesir
  • Manitou
  • Theoi
  • Netjer
  • Kami
  • Tuatha De Danan
  • Orisha
  • Deva
  • Shen
  • Teotl

There isn’t a lot of information given on each of them, but there is a list of skills, gods, callings, and purviews to facilitate character creation for scions of each of the pantheons.

The section on explaining the changes from 1st to 2nd edition is very brief and there are lots of fine details not addressed, but reading through it actually makes a few of the 2nd edition rules clearer even if you don’t have a frame of reference from 1st edition.

Heaven Sent The rules are well suited to improvisational gaming within a defined space, and for many gamers, that is the creative sweet spot. Share1Tweet1Reddit1Email

I enjoy that the setting isn’t so much a hidden world as it is an obscured world. I really enjoy the idea of being able to spend successes to achieve multiple goals when you take action. I am a big fan of spendable resources in game, and I really enjoy the flow of Momentum to the players. Making adversarial characters a modular building process is something I am on board with, and I am a huge fan of advancement being tied in part to story elements written by the player characters.

No Legend Quite Yet

There are places where it really feels like this book wants you to speed through the Origin level of play to get at the “real” starting point of Scion: Hero, even though I think there is a lot of value to getting comfortable with the starting level of play. There are some fairly simple concepts that are expressed in ways that seem more complicated than necessary, and the character sheet design implies that the rules may work in ways that they actually don’t. Given that this tier of play is closer to “mortal” level, I think more guidelines on starting equipment may have been useful (since characters aren’t receiving magical gifts from their parents yet). While I think all modern games need to discuss safety on some level, given some of the themes and topics brought up in this game, there really needed to be more space devoted to the topic.

Qualified Recommendation–A product with lots of positive aspects, but buyers may want to understand the context of the product and what it contains before moving it ahead of other purchases.

Scion: Origin is an imaginative game that will feel very comfortable to people that want open-ended stories, but want a little bit more support than a rules-light game would give them. The rules are well suited to improvisational gaming within a defined space, and for many gamers, that is the creative sweet spot. I really like what I have seen of the Storypath system, I just feel that to grasp it, it made me work a little harder than was needed.

How often have your games revolved around the plans of the gods? Do you prefer to have gods included in your game as story elements, vague notions, or active, ever-present characters? What are your favorite games for achieving your preference? We would love to hear about it in the comments below! We’ll look forward to hearing from you.

Categories: Game Theory & Design

Commerce Wirecard WPP

New Drupal Modules - 16 July 2019 - 1:43am
Categories: Drupal

Views PgwSlider

New Drupal Modules - 16 July 2019 - 12:48am

Views PgwSlider integrates PgwSlider to Drupal Views as a display style plugin.

Check out the DEMO


- Fully responsive slider
- Lightweight
- All browsers supported (desktop and mobile devices)
- SEO compliant
- Customizable

Categories: Drupal

Observations From A Gamer's Chair: Making Sure that the PCs and the Campaign Match

RPGNet - 16 July 2019 - 12:00am
Avoiding the \'why are we here?\' question.
Categories: Game Theory & Design

OAuth Login - OAuth2 Client SSO

New Drupal Modules - 15 July 2019 - 11:49pm

OAuth Login - OAuth2 Client SSO module allows users residing at OAuth 2.0 capable OAuth Provider to login to your Drupal website. We support all known OAuth Providers – Google Apps, Azure, GitHub, AWS Cognito, Discord, Facebook, Instagram, Linkedin, Strava, Bitrix24, Fitbit, Reddit, any other custom OAuth providers, etc. The miniOrange OAuth Client Login module can be used for authorization and authentication with any OAuth Provider/Server that confirms to the OAuth2.0 and OpenID Connect (OIDC) 1.0 standard.

Categories: Drupal

Overwatch's new cheat detection will end matches when cheats are used

Social/Online Games - Gamasutra - 15 July 2019 - 11:00am

Blizzard has already been testing new changes to Overwatch†™s cheat detection system on the PTR that shuts down matches when the game detects cheating is taking place. ...

Categories: Game Theory & Design

Amplitude Tracking

New Drupal Modules - 15 July 2019 - 9:19am

Integration module for use with the Amplitude Tracking service:

Categories: Drupal

20 Things #39: Black Dragon's Lair (System Neutral Edition)

New RPG Product Reviews - 15 July 2019 - 9:14am
Publisher: Raging Swan Press
Rating: 5
An review

This installment of Raging Swan Press‘ much-beloved dressing-series clocks in at 11 pages, 1 page front cover, 1 page editorial/ToC, 2 pages of advertisement, 1 page SRD, 1 page back cover, leaving us with 5 pages of content, so let’s take a look!

Okay, we begin the first page with 12 sample features for a black dragon’s lair – these include fetid pools of swamp water, glutinous mud, tangled curtains of roots, partially melted walls, and sinkholes and rotting trunks – this very much encapsulates the proper, grimy feel of swampy environments. 10 names for male dragons and 10 for female dragons complement the first page. I very much enjoyed this start!

The second page contains 20 dressing features for the dragon’s lair: From acidic smell in the air to dripping, dirty water, there are some nice ones here. I am particularly fond of ethereal-looking mud that may stoke the paranoia of players and PCs alike. Once more, the swamp/black dragon-theme is strong in these. The table of what the dragon is doing represents well the sadism associated with black dragons, as well as their cunning. A few generic entries are here – dragon sorting through hoard, chuckling? Seen that before. Compared to the so far very strong dragon-specific leitmotif, this selection was a bit weaker.

A list of 12 sample sights and sounds may be added to enhance the atmosphere of the dragon’s lair – these include a few different kinds of startling roars, jets of harmless steam, clouds of soot twirling and fake dragon’s eyes shimmering in the dark. The malign nature of the violent red masterminds is well-served here. An entry of 8 things the dragon may be currently doing can be found here. These include sorting through treasure, roasting human corpses slowly on a spear (cool!) or scratching itself. I’d have liked to see more red-specific entries, as e.g., the one where the dragon scratches itself with a wall is one I’ve seen before – and one I don’t consider too suitable for reds.

The pdf features a pretty massive 20-entry treasure and trinket selection, and includes a mechanical wind-up bird with ruby eyes (emerald or onyx imho would have made more sense there, but I’m nitpicking), a set of jade statuettes, blood-spattered tomes, hunting horns sourced from unicorns and the like – generally, I enjoyed this treasure/trinket selection, with its themes in line with the dragon species. 8 worn trinkets include colored mud used to draw strange sigils, eyebrow rings of gold, silver eye-monocles and the like – some nice ones, even though a few more black dragon specific touches would have been neat.

The final page is devoted to a total of 20 entries of hoard dressing, which this time around contains decaying, splintered wood, rotting barrels partially sunk in the floor, strange pyramids containing skulls, channels littered with wanna-be-dragon-slayer bones funnels water from the hoard, jars of honey, and more – these entries close the pdf on a definite high note.

Editing and formatting re very top-notch. Layout adheres to Raging Swan Press’ elegant two-column b/w-standard, with solid b/w-artworks included. The pdf comes fully bookmarked for your convenience, and, as always, the supplement features two versions – one intended to be printed out, and one for screen-use.

Creighton Broadhurst’s dressing for black dragons manages to eke out that special sense of being very close to the dragon sub-species, while at the same time providing the full arsenal of cool dressing we’ve come to expect. With a stronger, dragon-species specific theme than in previous installments, this delivers a bit more, manages to be more specific – and that’s a good thing. Very few entries herein lack some sort of direct connection to black dragons, rendering this pretty much a success in my book. As such, my final verdict will be 4.5 stars, rounded up for the purpose of this platform.

Endzeitgeist out.

Categories: Game Theory & Design

Mediacurrent: [Webinar Registration] We Built This City On Drupal 8

Planet Drupal - 15 July 2019 - 8:30am

How did the City of Sandy Springs, GA improve information system efficiency with a unified platform? Join our webinar to see how we built this city on decoupled Drupal 8, GatsbyJS, and Netlify.

We'll explore how a “build-your-own” software approach gives Sandy Springs the formula for faster site speed and the ability to publish messages across multiple content channels — including new digital signage.

What You'll Learn
  • The City of Sandy Springs’ challenges and goals before adopting Drupal 8 

  • How Sandy Springs manages multi channel publishing across the website, social media, and a network of digital signage devices. 

  • Benefits gained from Drupal 8 and GatsbyJS, including: a fast, reliable site, hosting costs, and ease of development for their team.  

Jason Green, Visual Communications Manager at City of Sandy Springs, and Mediacurrent Director of Front End Development Zack Hawkins share an inside look at the project.


Follow the City of Sandy Springs on the path to government digital innovation.  Save your seat today!

Categories: Drupal

Paragraphs Selection

New Drupal Modules - 15 July 2019 - 8:19am

Let paragraph bundles define where they can be used.

Basically, this module reverses the way entity reference selection handling is done by the paragraphs module. This allows paragraph bundles to provide entity, field and weight configuration that would otherwise be in the parent entity field configuration, enabling a slightly different config management approach.

If you have any ideas as to how to improve the configuration form on the field settings, let me know!

Categories: Drupal


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