Game Design

Starbreeze posts $6.6 million loss amid ongoing reconstruction

Social/Online Games - Gamasutra - 12 hours 59 min ago

Starbreeze has been in dire financial straits for a while now, and the company is still in the process of refocusing its attention and efforts on core businesses to stay above water. ...

Categories: Game Theory & Design

Game as a Service: launch models and monetization approaches - by Oleg Poroshin

Gamasutra.com Blogs - 14 hours 44 min ago
An article about launch models, distribution, and a number of approaches to monetization for Game as a Service. Also some recommendations for successful project management.
Categories: Game Theory & Design

The Making of a Sci-Fi Corridor: UE4 Scene Breakdown - by Aditya Rajani

Gamasutra.com Blogs - 14 hours 56 min ago
In this article, 3D Environment Artist Aditya Rajani did a very detailed breakdown of a Sci-Fi corridor environment he created using modularity. Adi walks us through his pipeline & shared some very cool tips & tricks in creating mood & atmosphere in UE4.
Categories: Game Theory & Design

Are Video Games Glorifying Alcoholism? - by Jori Hamilton

Gamasutra.com Blogs - 15 hours 44 sec ago
Over 65 percent of American adults play video games. Since this population is primarily adults, it's to be expected that many have adult themes, such as drinking, drug use, and sex. Do video games glorify substance abuse and alcoholism?
Categories: Game Theory & Design

Adventures in Middle-earth - Erebor Adventures

New RPG Product Reviews - 17 hours 16 min ago
Publisher: Cubicle 7 Entertainment Ltd.
Rating: 5
Erebor Adventures is the new adventure book from Cubicle7, adapting the One Ring's Laughter of Dragons to their D and D 5e adaptation, Adventures in Middle Earth.

I previously reviewed Laughter of Dragons, a collection of adventures that cover the region around Erebor, the Lonely Mountain. Since you can read the previous review that covers the adventures themselves, I'm going to dive more closely into the meat and PO-TAY-TOES of the book. I do highly encourage you to read that review, as the adventures are the same, and they're really fantastic. I'm not going to individually go through the small minute differences in Erebor Adventures and Laughter of Dragons, but there are some, due to the system differences.

The One Ring and D and D have different advancement systems, and Erebor Adventures has a nice system, where throughout the book, you'll see small green and red highlights. These represent group (green) and individual (red) rewards. This is really useful, as it helps Loremasters quickly identify where they should give out experience.

I really love seeing the Nazgûl in D20 form. Now, I'm sure if I went through more of the Middle-Earth Adventures I would have seen them before, but I hadn't. Here, they are presented in two forms, as they are in Laughter of Dragons. They appear as Dark Undead, and as Unclad and Invisible. If you think about it in terms of the films, Dark Undead is them as the Black Riders, while the Unclad and Invisible is more as they are in Dol Guldur in The Hobbit. The Unclad are CR 8 and completely invisible, making them difficult to see, and their abilities aren't physical, just inflicting terror. The Dark Undead have a wider variety of abilities, including the Dwimmerlaik, a reaction that allows the Nazgûl to shatter a hero's weapon and turn the damage back on them. Honestly, by renaming these guys, you could easily use the statblocks to strike fear into your non-Middle Earth D and D adventures as well.

The appendices are useful to anyone playing Middle Earth Adventures, regardless of if they run these adventures. The Loremaster Characters appendix covers every NPC you'll encounter, telling you what pages they appear. This means you can more easily weave in the characters into other adventures by finding them quicker. The Places and Things appendix is useful in that you can easily drop in small encounters if you find yourself in the region, or if you need a description of a location.

The book overall looks absolutely beautiful. It matches the style of The One Ring, which I absolutely love. Though I own many of the books for the other system, and a lot of the information is the same, I'm VERY tempted to pick all the books up Middle Earth Adventures form too. This book is highly recommended. I'll be reviewing the core rulebook for Middle Earth Adventures soon, so that I can get into the mechanics of the game to see how it plays differently than vanilla 5e.
*
Cubicle7 provided a copy of Erebor Adventures to Dice Monkey for review.
*

Categories: Game Theory & Design

Band of Blades Review

Gnome Stew - 17 hours 46 min ago

Fantasy is a huge, almost too wide term when applying the word to genres. Many times the word invokes the idea of heroic fantasy like The Lord of the Rings, or Sword and Sorcery stories, like Howard’s Conan. Over the years, fantasy has picked up a lot of sub-genres with their own specific tropes. One of those specific sub-genres is the gritty mercenary genre. In this case, characters aren’t the chosen one, and they may not have even chosen the life they live. They have a job to do, and don’t expect to survive the execution of their tasks.

Glen Cook’s The Black Company series, some of Joe Abercrombie’s World of the First Law books, and various installments of the Malazan Book of the Fallen by Steven Erickson help to define gritty mercenary fantasy. Characters aren’t a band of adventurers, but members of a military company, usually with ranks and responsibilities that go beyond their battlefield roles. Magic is rare and powerful, is usually devastating to the field troops, and the magic on the side of the protagonists’ forces is often dangerous and unpredictable.

There have been a lot of games built on the Forged in the Dark chassis first seen in Blades in the Dark. Off Guard Games and Evil Hat, the team that produced Scum and Villainy, have now teamed together to present a Forged in the Dark game of gritty fantasy mercenaries called Band of Blades.

Defining the Chronicle

This review is based both on the PDF version of the game, and the physical copy. The game is 450 pages, with full-color endpapers depicting the map of the setting. There is a seven-page index at the back of the book. As with most Powered by the Apocalypse or Forged in the Dark Games, while the playbooks and reference sheet material exists in the book, it will be useful to download and print out the PDF versions of these items for reference during the game.

The interior art is black and white line art. Headers are bold, and there are numerous bullet-pointed lists throughout the book. The artwork depicts daily occurrences in the lives of the mercenary company, including days at camp and days in battle. There are illustrations of the various locations in the setting, as well as pictures of named characters in the setting, such as the various antagonists that the player characters may eventually encounter in the course of their missions.

The book has the same general form factor as Blades in the Dark and Scum and Villainy, but it is thicker and feels very substantial.

The Basics

The opening section of the book describes the setting, the tone of the game, and what elements are present. It also introduces the Legion Roles that the players will be assuming, as well as the Specialists and Squad Members that they will be playing between missions. In this case, the players have multiple roles—they play their Legion roles when planning the missions, and they play their Specialist or Squad Member characters when executing those plans.

This section also introduces the special characters of the setting. The Cinder King is a master of a huge undead army that threatens the world. The Legion is trying to survive and dig into a better position to resist his forces. On the Legion’s side are Chosen, people picked by the gods to manifest special powers. On the Cinder King’s side are the Broken, former Chosen corrupted by the Cinder King.

The game has similar phases to other Forged in the Dark games. In this case we have the Campaign Phase, where the players in their Legion roles choose what missions to undertake, and they spend resources and advance on the map. Then we have the Mission Phase, where the players play out their actual mission, modified by the decisions of the players in their Legion roles. There may also be free play, seeing how characters interact in camp or deal with fallout that isn’t directly related to the success or failure of missions.

Unlike many introductory sections, this one is very extensive. Not only is it discussing things like the dark military tone of the game, horror elements, and getting player buy-in, it also introduces the core Forged in the Dark mechanic, explaining the resolution of actions, resistance rolls, stress, trauma, corruption, blight, and progress clocks. It is a lot to absorb upfront, and while there are explanations of the broad shape of missions, I felt like there was just enough still undefined that this section does have the potential to get overwhelming.

Like Blades in the Dark, individual rules packets are very simple and intuitive, but even more so than Blades in the Dark, there are a lot of moving parts. Some of the campaign level tracking has been offloaded from the GM to the players in their Legion rolls, but in some cases, there are similar systems in place that increase what gets tracked. For example, trauma is still a measure of how many physical or mentally taxing moments you can take before your character isn’t an active protagonist any longer, but corruption now tracks the influence of the downside of supernatural elements, and blight is a physical, supernatural manifestation of what is effectively magical “trauma.”

Characters

This section begins to give more specific examples of the broader terms introduced in the previous section. In this case, we’re looking at the playbooks to play individual troops in the Legion that will be carrying out missions. The playbooks include:

Specialists

  • Heavy
  • Medic
  • Officer
  • Scout
  • Sniper

Squad Members

  • Rookie
  • Soldier

Later on in the book, we’ll learn more about this when discussing missions, but because you only play out the primary mission your company is undertaking, you may need to send one of your specialists on the “offscreen” mission, meaning that a player may end up playing a rookie or a soldier instead of a specialist. Additionally, if a specialist gets taken out of the fight, the player can slide into playing one of the other characters in the unit with these playbooks.

While a player can play the same character repeatedly, the book also mentions that it is possible to leave all of the characters as options for troop play as well, meaning one person may make up the heavy and play them on the first mission and then let another player take that character on the next mission. Not everyone will want to do this, but it is mentioned as an option.

The playbooks have the traditional Forged in the Dark structure, where different playbooks have different gear available, and have different starting points for the ranks of different actions. Characters can take a heavy, medium, or light load, which have different implications for military missions versus the criminal activities seen in Blades in the Dark or Scum and Villainy. For example, characters with a heavy load may have issues if they need to quickly retreat from a battlefield after an objective has been met.

In addition to their gear and starting abilities, the specialist playbooks also have specialist actions. While these are measured in dots as well, these are not actions that are rolled. The dots represent the number of times a character can use their ability during a mission.

The Heavy’s anchor ability increases their scale in combat, meaning they act like a small unit instead of an individual. The Medic can cause a character to function without any penalties they have suffered from wounds. The Officer can produce resources for the mission that weren’t allocated by the Legion positions during the mission planning phase. The Scout can also provide additional resources, but in the form of discovered loads of equipment, safe resting places, or rations. The Sniper gets the ability to aim, which doesn’t change the dice they roll, but increases the effect their shot has, meaning they can take out higher threat opponents than they could normally harm. The Rookie can advance in multiple directions, but doesn’t start with a specialist action, while the soldier has a specialist action that gives them bonus dice to resistance rolls, reflecting their ability to keep themselves alive in a fight.

The Legion

This section details the Legion Roles that the players will take on, which they will play in the campaign phase. These roles represent the highest level of the Legion, and the decisions they make in this role can make their own missions more or less difficult, but how resources are spent also affects the long term ability of the Legion to progress to their objective at the end of the game.

The roles include the following:

Required Roles

  • Commander
  • Marshal
  • Quartermaster

Optional Roles

  • Lorekeeper
  • Spymaster

This means that you need at least three players to fill all of the required roles for a campaign. The text does mention that you can assign “deputy” roles so that when a player isn’t present, another player makes the decisions for that role.

The Commander determines if the Legion advances on the map, where they advance, and what missions they undertake. The Commander can also spend the Intel resource to put the teams in a better position at the beginning of a mission or find out advantageous information about a location.

The Marshal determines who goes on what mission, and what character assigned to the mission is in charge in the field. Some missions will have a requirement that certain specialists be present, so assigning the wrong characters to a mission can doom it from the start. The Marshal is also tracking the number of troops in the individual squads. Some missions will cause a squad to lose rookies, and some areas may allow you to recruit new troops.

The Quartermaster can spend resources that the Legion has gained, such as horses, to make travel less dangerous, or to better supply the group for their starting efforts. The Quartermaster can also determine if the group has special personnel at camp, such as a Mercy or an Alchemist.

The Lorekeeper role comes into play when characters get back to camp, as the Lorekeeper reciting specific previous mission details can provide benefits for the characters.

The Spymaster gets to pick from a stable of spies that gives them different ways to manipulate the objectives in different types of missions, and may allow the Commander to spend Intel to unlock special missions available in some locations.

There is a limited amount of time that the Legion has to make it to Skydagger Keep for the finale of the campaign, so each phase costs time, meaning that the Legion may want to spend an extra unit of time in an area recovering, but they may feel compelled to push forward to avoid a time crunch.

Pressure is the amount of undead and corruption collecting in the nearby area, which can make missions more difficult. Spending resources like horses when advancing can lower Pressure.

One mission will be the primary mission. This is the mission that gets played out, with players portraying the members of the squad doing their jobs and meeting their objectives. The secondary mission is determined “off-screen,” using only the initial engagement roll to see how well or how badly things went.

The Divine

This section details the Chosen and the Broken in the setting. The Legion will have a Chosen traveling with them, and depending on what Chosen is selected, this will modify how the Legion starts the game, and what benefits they have by having this Chosen travel with them.

  • Shreya—Chosen of the healer goddess, focused on military strategy
  • Horned One—Chosen of the forest god, focused on mysterious powers and trickery
  • Zora—Ancient Chosen focusing on big and direct actions

Each of the Chosen has a subset of special abilities that trigger under special circumstances. For example, Shreya may cause the Legion to receive 1 less corruption when they take corruption, or regain one additional tick on a healing clock when they recuperate.

After choosing the Chosen that travels with the Legion, the group then chooses two Broken that are working for the Cinder King. The Broken include:

  • Blighter—Toxic scientist
  • Breaker—The storm witch
  • Render—The armorer

Each of the Broken has a list of abilities they have that make the lives of the Legion more difficult, and they gain new abilities whenever time ticks forward too far in the campaign. For example, Blighter might have an ability that causes supply missions to remove one die on their initial engagement rolls.

The Broken chosen also affect what kind of special undead might show up in a mission as well. Blighter’s special troops might be stitched together masses of body parts, while Breaker might have mutated animals, and Render might have giant undead encased in armor.

The Mission Phase

This section goes into more details about how to execute the mission phases of the game, as well as listing the common mission types, and what the rewards and penalties are for these missions. Depending on the mission, they will need a specific type of specialist, or their engagement rolls will suffer a penalty (meaning the mission is more likely to start badly for the primary mission, and more likely to outright fail for the secondary mission).

Mission types include:

  • Assault—Requires Heavy, Medic, or Sniper
  • Recon—Requires Scout or Sniper
  • Religious—Requires Medic or Officer
  • Supply—Requires Heavy, Officer, or Scout

Different missions will have rewards for completion, and penalties for failure. Mission rewards might include time, morale, supplies, assets, or troops. Penalties may include pressure, time, supply, and morale.

This section also goes into more detail about rules like teamwork, scale, and flashbacks. For anyone that hasn’t played or read previous Forged in the Dark games, players pick the skill they want to use, and based on that skill, the GM determines the position and effect. Position is how bad things can backfire, and effect is how much you get done with the roll you are making.

When a character has scale on you, it’s even harder to affect them. A character that might take a controlled action for limited effect on someone with scale is now taking a controlled action with no effect (meaning at best, they may be able to spend stress to affect them at all).

Teamwork has always been one of my favorite aspects of Forged in the Dark games, and it’s even more relevant in military campaigns. There are multiple ways to work as a team, but my favorite involves one player leading the action, and everyone rolling. If you get any successes, you do the thing, but for every failure, the leader takes stress.

Flashbacks are essentially retroactive planning that you may be able to declare. When you see opposition you weren’t planning for at the gate you wanted to enter, you might be able to declare a flashback that your scout looked for alternate entry points when you first arrived, and depending on how significant the flashback is, it might cost more stress to introduce.

What this also means is that there are a lot of tools available to the PCs in an active mission that can’t be used to affect the single roll that will be made for the secondary mission. While it may seem like the right thing to do is to spend resources to make the primary mission easier, it may be smarter to spend intel and supplies on the secondary mission so it succeeds, because the PCs playing the primary mission have more opportunities to batter and bruise themselves to success.

The Campaign Phase

This section is shorter than the mission phase chapter, but it details the specific steps that are taken in the campaign phase of play, presents options for the campaign phase, introduces questions to consider in this phase of the game, and includes a summary of what happens in this phase.

How to Play

Almost all of the rules in this section have been touched on elsewhere in the book, but this section revisits the briefer summaries and gives more detailed examples, including descriptions for the actions and what they are best suited to accomplish, examples of what controlled, risky, and desperate actions look like and examples of what reduced or full effect might look like.

This section also goes into more detail on the Specialist actions that those playbooks receive, setting up a series of questions to get players thinking about what they do in the fiction of the games to make those actions true.

There is also an action that does not appear on the playbooks that is introduced in this section. Weave, the ability to spend an action to perform an act of magic, is detailed. This is a special action that the GM doesn’t need to allow, but one that may be learned as an alternate advancement.

Behind the Scenes

This is the GM section of the book, and includes a general list of GM duties, GM principals, GM actions, and GM best practices. One of my favorite pieces of GM advice given here is to avoid making the PCs look incompetent. If they fail, its because they are doing difficult things under difficult circumstances, not because they aren’t trained professionals doing what they are good at doing.

There is a section on setting expectations, especially given the game’s horror adjacent themes. Not only does this section touch on making sure everyone is on the same page over the level of horror and comfort levels, this section also talks about tone and theme and how everyone should be aware and agree on them before starting the game.

The final part of this chapter explores how to set up the starting mission, including the first scene, and how to handle the first time the group cuts back to camp, to properly set the feeling for the rest of the campaign going forward.

The Larger World

This section summarizes some of the setting elements that have been touched on in other sections of the book. It’s a fantasy setting, but with no dwarves, elves, or dragons. Alchemy is the world’s science, and magic is filled with peril. The gods only really care about humanity in the abstract.

There is a two-page timeline that summarizes the progression of the setting relevant to the modern events that frame the game. The different cultures that the PCs are likely to hail from or encounter are detailed on their own individual pages.

There is a section explaining what alchemy can and can’t commonly accomplish, and how Mercies, special healers in the setting, work.

None of the cultures detailed are direct real-world analogs. The Panyar are the most “magical” of any of the cultures, being humans that have some animal-like trait about them, due to the influence of the forest they call home. While they give some traits commonly associated with each culture, it is specifically noted that no individuals have all of those traits, the traits aren’t universal, and many people don’t conform to the broad elements outlined for them in this section.

Locations

The map that appears in the endpapers of the book is presented in this section of the book as well. Various locations are presented on the map, with lines between them. At one end is the starting point of the campaign. On the other end of the map is Skydagger Keep, the location the PCs need to reach to weather the winter and have any chance of standing against the Cinder King.

There isn’t one path that goes directly to Skydagger Keep. Each time the Commander decides to advance, they may have to make choices between which locations to move the company to as they advance on the keep.

There are descriptions of each of these locations, as well as example scenes and challenges native to each place on the map. There may be special rules for different locations, so, for example, some locations may always add a die to pressure rolls because they are under siege. Each location also has special missions available, which can be learned by spending Intel.

The special missions generally provide bigger rewards than the standard mission types provide, so they may be worth spending Intel to uncover. The standard rewards may be bigger (+2 instead of +1, for example), but there may also be items like special relics, or even extra XP awards for completing these.

The special missions play into the “flavor” of the location presented. The lore surrounding the special missions is more specific than the broader missions, and helps to tell the story of the region’s past and/or what is going on currently in the war.

Skydagger Keep has a special section on all of the missions that need to be undertaken to dig in for the winter and fortify the place for assault. Depending on how the campaign has turned out, there is a scorecard to see how the Legion has done in the war, which determines whether the Legion is on its last legs after the winter, or ready to take the fight to the Cinder King.

I love how the locations are detailed in this section. There are essentially two pages of information, including special rules that reinforce the theme of a region. There is another page of special missions that help to tell the story of the region. The first page is a full page of general information, but the second page focuses on what kind of scenes characters will see and experience in the location. It’s a living means of presenting setting information that I love and wish might be adopted by more people presenting RPG settings.

Changing the Game

This is a section about optional rules and how you might drift the game for other stories and genres. There is advice for introducing new heritages, creating new special missions, new relics, and dealing with more players than the core rules assume.

There are optional rules for medals and how they mechanically could affect the game, rules for how the different existing squads in the game might have traits that affect members that belong to that squad, and rules on weapon master forms that can be learned by PCs.

The final section of this chapter briefly discusses wider hacks, such as changing the game to a grim sci-fi military campaign, with the PCs choosing what systems to jump to next, and how to drift concepts like the Broken and the Chosen, such as making the Chosen and the bonuses they provide actually belong to a starship in the Legion’s fleet.

The drifting rules provide some fun brainstorming, but the most fleshed-out ideas in this section are those that assume the baseline of the setting presented, and add more details to that baseline.

Successful Campaign I love how the game details locations and ties the relevant aspects of the locations to game rules to give the lore mechanical weight. Share1Tweet1Reddit1Email

The setting is very evocative. You can very easily feel like your characters are the underdogs in a fight against an intimidating foe, but yet you still have a lot of tools to accomplish missions moving you closer to your goal. Part of what helps reinforce this feeling of the underdog fighting to survive is that you have to navigate the map to be successful, so there isn’t a “quick win” option. In addition to the evocative feeling of an underdog mercenary company scrabbling to survive, the setting itself is well-drawn. I love how the game details locations and ties the relevant aspects of the locations to game rules to give the lore mechanical weight.

The Long Winter

It’s always tricky to determine how much information to put upfront in a book. Too little, and a reader is going to get frustrated by not understanding all of the terms you are introducing. Too much, and they have a lot to process as soon as they engage with the book. Band of Blades feels a little front-loaded to me, in that a lot gets introduced, and some of it is harder to parse before you see the framework in which that information is used. There is an “end” to the campaign, but there isn’t a specific resolution for the game’s main conflict. I actually would have less of a problem with this, if it weren’t implied that the ”ending” of the game determines starting position for a new campaign, since there isn’t much in the way of guidelines for what that new campaign would look like. The current rules are more about scrabbling to survive until you can reach cover, so several elements would need to change to reflect being on the offensive.

Recommended—If the product fits in your broad area of gaming interests, you are likely to be happy with this purchase.

The book may feel a little intimidating at the outset, but I feel like it pays off the further into the book you get, and if you are a fan of Forged in the Dark games, you will likely be very interested to see how the mission structure works and the extra gaming tech added into this iteration of the game.

Even for non-Forged in the Dark fans, I think there is some value to seeing the way that individual locations are quickly summarized, given iconic scenes, and a mechanical modification. It’s a great model for other games to use for detailing a setting and keeping details relevant to the action of the story. The overall plot of the game, and the decision points getting from one section to another, advancing on Skydagger Keep, could be drifted to other game systems or used for a model of other campaigns.

What are your favorite grim and dangerous fantasy mercenary stories? Did they ever get an official game treatment? If they did, what did or didn’t work to evoke the feeling of the setting? We want to hear from you below, so please, drop us a response!

Categories: Game Theory & Design

Cyberpunk 2077, exclusive Orcs Must Die 3, and many more now headed to Stadia

Social/Online Games - Gamasutra - 19 August 2019 - 10:49am

Google has added several new games to the lineup for Google Staida, in turn addressing some of the concerns about the cloud-based platform's library being a little light despite its coming launch. ...

Categories: Game Theory & Design

PUBG is rolling out console crossplay to Xbox One and PS4 this year

Social/Online Games - Gamasutra - 19 August 2019 - 9:06am

The team behind PlayerUnknown†™s Battlegrounds is bringing cross-platform play to its Xbox One and PlayStation 4 versions. ...

Categories: Game Theory & Design

Using mystery as the core of marketing. - by Alejandro Maldonado

Gamasutra.com Blogs - 19 August 2019 - 7:41am
Yume Nikki is a very good game, but the mystery surrounding the developer, Kikiyama, was definitely of great importance for all the commercial movements around it.
Categories: Game Theory & Design

Kliuless #45: Esports Expands - by Kenneth Liu

Gamasutra.com Blogs - 19 August 2019 - 7:36am
Each week I compile a gaming industry insights newsletter that I publish broadly. Opinions are mine.
Categories: Game Theory & Design

The first four days of a Kickstarter - by Nic Rutherford

Gamasutra.com Blogs - 19 August 2019 - 7:36am
More information about the Fringe Planet Kickstarter - along with two huge mistakes I made with campaign. Blogging about this to help others avoid these mistakes
Categories: Game Theory & Design

Beginner balance versus pro balance - by Joost van Dongen

Gamasutra.com Blogs - 19 August 2019 - 7:33am
What to do if something is overpowered for beginners, but fine for experienced players? Simple stat changes won't do in such cases. This blogpost discusses 3 approaches to fixing beginner balance that we've used in Awesomenauts and Swords & Soldiers 2.
Categories: Game Theory & Design

Downtime Training

Gnome Stew - 19 August 2019 - 5:00am

As many of my close circle of friends know, I was late to play the fifth edition of the world’s greatest role playing game. It’s a long story, but the fourth edition of the game burned me badly enough, I didn’t want to risk my time, energy, and money on the next version. I have to admit that I regret this delay because I’ve been running a game of fifth edition for the past few months, and it’s been incredibly fun. However, this isn’t a review or commentary on fifth edition, but I did want to set the stage.

I have for expanding the “Training to Gain Levels” concepts in the Dungeon Master’s Guide, and I thought I’d drop them here for your consideration, consumption, and possible commentary. So here goes with the brainstorming….

 I’ve never been a huge fan of “trapping” someone at their current level. Share1Tweet1Reddit1Email

The “Training to Gain Levels” section of the DMG has a very brief segment on page 131 regarding an optional approach at training to level up. I’m glad they made it optional because I’ve never been a huge fan of “trapping” someone at their current level until they leave the adventure behind, find a nearby city, track down someone better than them, and train for a certain period of time before they can leverage what they’ve already learned “on the job” or “in the field.” It just doesn’t seem fair or right. It also interrupts the flow of the storytelling because players want (or even need) their characters to be as cool and powerful as possible while running through the storyline.

Xanathar’s Guide to Everything expands on the idea of training to allow a character to learn a language or pick up a proficiency with a tool. That’s an excellent expansion of the training concept, and I like it quite a bit. I’ll even go on record to state that I love this style of training because it improves the character by “spending” some downtime moments on it.

I am a fan of is training to gain experience points. Share1Tweet1Reddit1Email

In the level-based training, what I am a fan of is training to gain experience points. These XP can, obviously, trigger a “level up” moment if enough XP is gain. That’s where my concepts and ideas come into play. If a player simply doesn’t have anything to do with their character during a downtime segment, then I don’t mind if they run off to a trainer, expert, mentor, or some such to spend a downtime segment (and some gold) to earn a few XP.

Basing my chart on the one found in the DMG, here’s my proposal:

Current Level

Downtime Segments

Training Cost

XP Gain

1-4

1

20 gp

100 XP

5-10

2

40 gp

1250 XP

11-16

3

60 gp

2,500 XP

17-20

4

80 gp

6,500 XP

This also assumes the PC can track down someone better than them to do the teaching. As the character reaches higher tiers of play, this will become more difficult. I’m going to leverage the rarity system from the DMG for magic items, and state that trainers are going to be common, uncommon, rare, or very rare. The more difficult the trainer is to find might lead to side quests to find the trainer, or even downtime and gold spent to find the trainer. I’m going to throw out an optional table here for my optional ruleset of training. This one pertains to finding the trainer.

Current Level

Rarity

Downtime Segments

Finding Cost

1-4

Common

0 (Automatic)

0 gp

5-10

Uncommon

1

20 gp

11-16

Rare

2

40 gp

17-20

Very Rare

3

60 gp

The above table shows long it would take to find a trainer and how much in expense it would take in bribes and other expenses to track down the trainer. I’d also recommend someone who is flush with liquid funds to spend more than the base “finding cost” to reduce the downtime segments, so they can find their trainer faster. How this plays out in your game is entire up to you.

 I’m completely aware that this may create a party imbalance. Share1Tweet1Reddit1Email

I’m completely aware that this may create a party imbalance to some extent because this may allow one character to obtain one level more than the rest of the party, but they’ll also be behind the other characters in gold, renown, social contacts, and so on. I think it will even out in the long run because the XP gains from training that I’m proposing aren’t that extreme and won’t allow the higher level PC to remain at that higher plateau for too long.

Those are my ideas and approaches on training to gain experience points in fifth edition. See any gaps in the proposal? How about some ideas to use or improve on the concept? Let me know!

Categories: Game Theory & Design

Fuzzy Thinking: Top Ten Rejected 1st Ed. AD&D Module Titles

RPGNet - 19 August 2019 - 12:00am
The Goat Tower of Inverness?
Categories: Game Theory & Design

Designing communities for kindness

Social/Online Games - Gamasutra - 18 August 2019 - 11:51pm

How to better set up your game communities for kinder user experiences. ...

Categories: Game Theory & Design

Video Game Deep Cuts: Dicey Dungeons Gets Rad, Patreon Follows

Social/Online Games - Gamasutra - 18 August 2019 - 7:36am

This week's roundup includes looks at standout new titles including Dicey Dungeons and Rad, an analysis of Patreon as incremental funding, & lots more. ...

Categories: Game Theory & Design

Video Game Deep Cuts: Dicey Dungeons Gets Rad, Patreon Follows - by Simon Carless

Gamasutra.com Blogs - 18 August 2019 - 7:32am
This week's roundup includes looks at standout new titles including Dicey Dungeons and Rad, an analysis of Patreon as incremental funding, and lots more.
Categories: Game Theory & Design

Sponsored: Data, trends, and tips for raising subscription revenue in free-to-play games

Social/Online Games - Gamasutra - 16 August 2019 - 11:02am

Learn how to structure an effective subscription plan that benefits both players and game studios with the insights found in this guide. ...

Categories: Game Theory & Design

My.Games is launching its own PC video game storefront

Social/Online Games - Gamasutra - 16 August 2019 - 8:53am

The Russian company Mail.ru is expanding its My.Games video game business through the worldwide launch of a digital game storefront on PC. ...

Categories: Game Theory & Design

Pages

Subscribe to As If Productions aggregator - Game Theory & Design